由拉希德·努格马诺夫,执导，1988上映的《针》，是由维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,等演员主演的剧情片。剧情片针在苏联发行。In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the quot;Kazakh New Wave. quot; Represented by such works as Alexander Baranov #39;s and Bakhyt Kilibayev #39;s The Three (1988) and Woman of the Day (1990); Kilibayev #39;s The Tick (1990); Baranov #39;s He and She (1990); Abai Karpykov #39;s Little Fish in Love (1989); and Serik Aprymov #39;s The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film本视频《针》由【月光影视】收集自网络发布，无需下载百度影音、西瓜影音。 热播:电影《海大鱼》、《我，喜欢你》、《燕云台》、电视剧《瞄准》、姜子牙电影在线观看、半是蜜糖半是伤、《有翡》、大明王朝1566、青青子衿 由拉希德·努格马诺夫,执导，1988上映的《针》，是由维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,等演员主演的剧情片。剧情片针在苏联发行，月光影视收集到针包括星辰影院在线观看、手机mp4播放、西瓜影音、百度云资源、迅雷下载等全视频tv资源，如果有更好的资源请联系大河影视In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the quot;Kazakh New Wave. quot; Represented by such works as Alexander Baranov #39;s and Bakhyt Kilibayev #39;s The Three (1988) and Woman of the Day (1990); Kilibayev #39;s The Tick (1990); Baranov #39;s He and She (1990); Abai Karpykov #39;s Little Fish in Love (1989); and Serik Aprymov #39;s The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement #39;s a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock #39;n #39; roll legend from the St. Petersburg band quot;Kino quot;) returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city #39;s underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock #39;n #39; roll star, eccentric leader of the quot;Sound of Mu quot; band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
